I have always loved mixing colours and watching what they turn into. My work as an engineer in plasma surface treatment taught me to observe how a liquid spreads or pulls back, a curiosity I find again in every canvas. But it was the South of France and the Mediterranean that set everything off: the light, the sea and the warm stone remain an endless source of inspiration.
Life at every scale
I am fascinated by the living world: microscopic creatures, cells, insects, animals, plants. And just as much by what organises itself without being alive: atoms attracting or repelling each other, fluids mingling, galaxies spinning.
What strikes me are the resemblances from one scale to another. A drop of ink branching out recalls a tree or a river; a cell of paint looks like a bacterial colony or a nebula.
Letting the material work
In my paintings, I try to reveal these similarities through the interactions between different substances: their affinities, their rejections, the way they repel or blend. My work taught me to play with the surface properties of a support and to watch how different inks behave on it.
Often, the shapes born from fluids and inks suggest others to me: an eye, a creature, a face. This is pareidolia, the reflex that makes us see figures in the clouds. I then feel that the canvas is asking me to underline what it sketches and to help the shape reveal itself, with a line of marker or a touch of colour.
A painter in my own way
I am self-taught, and figurative painting and brushwork are not my territory. The material, the paint and the fluids do most of the work. My role stays discreet: preparing the ground, choosing the encounters, then watching what happens. What guides me is rather a way of looking: the wish to see beauty where others would only see a stain, and to bring it out.
A nod: you may come across my nickname, Jyjy, in the kitchen too. Painting, music, cooking: different activities, but the same search for the right combinations and the transformation of what we bring together.
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