Gallery · Acrylic painting

Flow & Life

Pours, brushwork, ink and collage: seventy-five paintings hung on a dry-stone wall, between fire, water, gold and electricity.

75paintings8rooms15reversible hangings
AboutCollaborations
The smoker and the red cityAcrylic, ink and marker drawing · 40 × 120 cm

Pours on black Pouring

Fluid paint poured onto a black ground, then guided by tilting the canvas. Cells and filaments form on their own as it dries.

NovaPoured acrylic, gold cells · 40 × 120 cm
ÂnkhPoured acrylic, raised gold outline · 120 × 40 cm
TulipePoured acrylic on a black ground · 120 × 40 cm
ComètePoured acrylic, black and turquoise ground · 80 × 60 cm
The calf and the watcherPoured acrylic, cells · 29 × 29 cm
NébuleusePoured acrylic on canvas · 60 × 80 cm
BraisesPoured acrylic, copper cells · 60 × 80 cm
Forêt métalliquePoured acrylic, raised gold stems · 50 × 40 cm
Le soufflePoured acrylic, raised lizard · 50 × 50 cm
Coulée de lavePoured acrylic, copper cells · 40 × 120 cm
Magmatec reptilePoured acrylic, black cells, gold impasto · 60 × 80 cm
Discours célestePoured acrylic and marker drawing · 60 × 80 cm
Forêt hantéePoured acrylic, black dendrites · 40 × 50 cm
CellulesPoured acrylic on a black ground · 60 × 80 cm
Cosmos reflectionPoured acrylic, cells · 33 × 41 cm
HellPoured acrylic, cells, raised impasto · 40 × 50 cm

Light pours White ground

The same pours on a light ground: the colour spreads, branches into dendrites and lets the canvas breathe.

Paysage dendritiquePour on a white ground, dendrite effects · 40 × 120 cm
Mea culpaPoured acrylic, raised outlines · 50 × 40 cm
ÉclaboussuresPoured and splattered acrylic · 60 × 50 cm
Organic locomotiveInk and acrylic, glued gold leaves · 40 × 120 cm
CapucinePoured acrylic on a white ground · 50 × 60 cm
Agates dendritiquesPoured acrylic, blue-green dendrites · 60 × 80 cm
Stries vivantesPoured acrylic, directed drips · 40 × 120 cm
JupiterPoured acrylic · 40 × 50 cm

Gestures Brush

A broad brush traces feathers, flames and gazes, laid down in a few strokes.

RegardsBrushed acrylic · signed COLER · 40 × 120 cm
PlumeBrushed acrylic · 120 × 40 cm
Horse backBrushed acrylic, raised stitching · 120 × 40 cm
Plasma dischargeImpasto acrylic · 120 × 40 cm
Green portalBrushed acrylic · 120 × 40 cm
Seaweed flirtBrushed acrylic and marker · 120 × 40 cm
PlainePalette-knife textured acrylic · 40 × 120 cm
Purple convergenceBrushed acrylic · 80 × 60 cm
L'Arbre bleuPoured and brushed acrylic, raised outlines · 80 × 60 cm

Line & ink Marker on acrylic

A yellow or orange ground, then ink: networks, creatures and patterns you only see up close.

ProliferationAcrylic, black impasto and marker drawing · 40 × 120 cm
QuartInk and marker on an ochre ground · 29 × 29 cm
Léo & LéaColoured ink, acrylic and marker · 55 × 46 cm
PhénixPoured and brushed acrylic on canvas · 40 × 120 cm
InteractionsColoured ink, acrylic and marker · 60 × 80 cm
DorazofilBlack ink, acrylic and marker · 46 × 55 cm
VolcanosAcrylic and ink · 40 × 120 cm
Rencontre dans la houleBrushed acrylic and marker drawing · 40 × 120 cm

Textures Collage & relief

Mounted canvas, cord, impasto: here the paint is meant to be touched as much as looked at.

The veilAcrylic, knife and sponge textures, geometry · 40 × 120 cm
RossyInk, acrylic and marker · 120 × 40 cm
MosaïqueMixed media, assembled canvas pieces · 80 × 60 cm
Patchwork aux yeuxMixed media, raised outlines, marker · 80 × 60 cm
Yin-yangPoured acrylic, impasto, marker, raised disc · 60 × 80 cm
StratesAcrylic and ink, glued gauze · 40 × 120 cm
KaléidoscopeAcrylic and marker · 80 × 60 cm
Destroyed evilMixed media, central relief, crackle · Destroyed artwork

Bestiary & faces Figures

Animals and faces emerging from the material: a single gaze is enough to bring a creature to life.

L'Ours de la tourPoured and brushed acrylic · 80 × 60 cm
PerroquetAcrylic, ink and marker · 80 × 60 cm
ProfilBrushed acrylic · 60 × 80 cm
TriptyqueBlack ink on three pink, yellow and blue bands · 60 × 80 cm
ScarabéeAcrylic, ink and relief · 80 × 60 cm
Sans titreBrushed acrylic · 80 × 60 cm

Garden Flowers

Bouquets, orchids and foliage: freehand painting in broad green and yellow strokes.

DéséquilibrePoured and brushed acrylic · 80 × 60 cm
OrchidéeBrushed acrylic · 80 × 60 cm
JungleBrushed acrylic · 80 × 60 cm
LagonBrushed acrylic · 80 × 60 cm
Arbre de cuivreAcrylic, raised copper branches · 50 × 40 cm
Blue in redPoured acrylic, raised branches, glitter · ? 50 × 40 cm

Gold & ink Ink on a yellow ground

Black ink thrown onto yellow and gold, then reworked with a fine marker: dendrites, bursts and tiny creatures.

Instinct maternelPoured acrylic, reliefs and marker · 80 × 60 cm
EmergenceInk, gold acrylic, raised outline, marker · 80 × 60 cm
SubmarineColoured ink and marker on a white ground · 80 × 60 cm
HOColoured ink and marker on a yellow ground · 60 × 80 cm
Living sulfurPoured acrylic on a white ground · 60 × 80 cm
AlvéolesPoured acrylic, purple cells · 80 × 60 cm
Regards d'encreColoured ink and acrylic · 80 × 60 cm
Microscopic ecosystemInk and poured acrylic · 80 × 60 cm
ÉclatsInk and acrylic, gold reliefs · 60 × 80 cm
CrustacésColoured ink, acrylic and marker · 60 × 80 cm
MuttonheadColoured ink on yellow bands · 60 × 80 cm
LaserColoured ink, poured acrylic and marker · 60 × 80 cm
DiscussionBrushed and poured acrylic, ink · 46 × 55 cm

About Jyjy

I have always loved mixing colours and watching what they turn into. My work as an engineer in plasma surface treatment taught me to observe how a liquid spreads or pulls back, a curiosity I find again in every canvas. But it was the South of France and the Mediterranean that set everything off: the light, the sea and the warm stone remain an endless source of inspiration.

Life at every scale

I am fascinated by the living world: microscopic creatures, cells, insects, animals, plants. And just as much by what organises itself without being alive: atoms attracting or repelling each other, fluids mingling, galaxies spinning.

What strikes me are the resemblances from one scale to another. A drop of ink branching out recalls a tree or a river; a cell of paint looks like a bacterial colony or a nebula.

Letting the material work

In my paintings, I try to reveal these similarities through the interactions between different substances: their affinities, their rejections, the way they repel or blend. My work taught me to play with the surface properties of a support and to watch how different inks behave on it.

Often, the shapes born from fluids and inks suggest others to me: an eye, a creature, a face. This is pareidolia, the reflex that makes us see figures in the clouds. I then feel that the canvas is asking me to underline what it sketches and to help the shape reveal itself, with a line of marker or a touch of colour.

A painter in my own way

I am self-taught, and figurative painting and brushwork are not my territory. The material, the paint and the fluids do most of the work. My role stays discreet: preparing the ground, choosing the encounters, then watching what happens. What guides me is rather a way of looking: the wish to see beauty where others would only see a stain, and to bring it out.

A nod: you may come across my nickname, Jyjy, in the kitchen too. Painting, music, cooking: different activities, but the same search for the right combinations and the transformation of what we bring together.

Contact me
Painted portrait of Jyjy, brush in hand, amid yellow, blue and red splashes

Collaborations Textile · design · publishing

I'm Jyjy. I paint with poured acrylic, ink and fine marker: materials that branch out, cells that bloom, tiny creatures you only notice up close.

This site is a personal showcase of my work. I would love to see these patterns live beyond the canvas one day: on fabric, a scarf, paper. If you are a designer, a studio or a printer and a work speaks to you, I would be glad to talk about it.

A pattern on fabric

Seeing a painting become a scarf, a cushion or a wall hanging.

Scarves · cushions · hangings

A series for a collection

Bringing together several works from the same room around a shared project.

Pours · gold & ink · garden

A repeating pattern

Adapting a work so that it continues seamlessly, on fabric or paper.

Fabric · wallpaper

A creation for four hands

Imagining a new painting together, in a shared palette or theme.

Palette · theme · encounter

The images

  • The images in this gallery are signed, reduced-resolution previews.
  • High-resolution files can be shared after a first conversation.
Fancy a chat?

Just tell me which work spoke to you.

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